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WELCOME!
The College-Conservatory of Music Center for Computer Music at the
University of Cincinnati, (ccm)2, is continually inventing new
environments for computer music composition and research. Composers work
on powerful systems using signal processing and MIDI, with an excellent
listening environment. The technical and aesthetical aspects of computer
music composition can be studied in courses for composers, performers and
researchers. CCM has traditionally had a lively performance environment,
and the studios extend the capabilities of performers in new directions. |
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The Sonic Explorations electronic music series presents several concerts each year of faculty and student works, and the Visiting Composers Series has brought Curtis Bahn and Tomie Hahn, Benjamin Boretz, Charles Dodge, Paul Koonce, Paul Lansky, Pauline Oliveros, and Diane Thome recently. Innovative research activity in granular synthesis, visual/aural connections and live performance interfaces and high bandwidth Internet 2 sound exchange is evolving, incorporating collaborative work with artists at DAAP, and engineering department expertise. Physically, (ccm)2 is part of a complex of theaters, classrooms and studios designed by Pei, Cob, Freed and Partners. The electronic music studios in 1996 moved to the South Annex of Memorial Hall which holds performance faculty studios and practice rooms. The studios have been designed with extreme care to provide an attractive and truly functional environment, with a floating concrete floor for sound insulation and conduits, and a multichannel Genelec speaker system. Performances occur in the Cohen Family Studio Theater, a space particularly conducive for performances of interactive and electroacoustic music, and other halls. |
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| Director Mara Helmuth, Associate Professor of Composition. BA, MM, U. of Illinois, DMA in Composition, Columbia U., composes for computer, both tape and real-time systems, and acoustic instruments. She taught at Texas A&M University and New York University previously. Her research deals with Internet 2 improvisation, granular synthesis, representation of electroacoustic music, and her public domain graphical programs for computer music composition, Patchmix and StochGran. Her music has been played internationally, and she has written articles appearing in Computer Music Journal, Perspectives of New Music, ARRAY, Journal of New Music Research and Computers and Mathematics with Applications. Recent work includes a work for pipa, 5 instruments and computer written for virtuoso Ming Ke, an interactive installation Staircase of Light in the Sino-Nordic Performance Arts Space in Beijing, and collaborations with percussionist/composer Allen Otte for computer and percussion found on the compact disk Implements of Actuation. |
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Send any comments or requests for
additions to this website to
Mara.Helmuth@uc.edu
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